corentin

A wind of revolution is blowing over this offbeat character that finds its originality in the reversal of its counter-form.
"N’ayons l’air de rien, soyons désinvoltes" is a slogan randomly drawn from the Larueourien tumblr. This slogan, taken from the Tostaky music of Noir désir, inspired the design of these letters. The design of this character will give rise to an anarchic poster printed in letterpress and then exhibited at the Printing Museum in Nantes.

For this project, each tribe had to create equipment adapted to a context defined in a science fiction text given to us. In addition, the creation of this equipment was constrained by two imposed materials: OSB and neoprene. 
Our tribe, the surveyors, was a nomadic people living on Mercury who had to walk constantly to escape the rising sun.

Diaposilivre is a wooden book object halfway between the book and the projector. The slide pages are projected onto the wall using a light source inside the book. This object offers another dimension to the children's story. The images become more immersive and invite us to enter an imaginary world, that of Arnold Lobel in his tale "Le magicien des couleurs". But it is also and above all an opportunity to share a moment of magic between young and old.

These riso printed editions were produced in a workshop with the Super Terrain collective. Every day, for a week, we produced an image from one of the cities from Italo Calvino's work, "Les villes invisibles". The creation was guided by constraints, color, composition or tool to be used. On the last day we made about thirty editions listing all our productions.

Fernande, this rigid character, is rooted in the lettering of the poster for Gilles Grangier's film "Le printemps, l'automne et l'amour". This character with its narrow silhouette originated in the cut paper, playing on the contrast between the regularity of the shape and the irregularity of the counter-form. The almost rectangular shape of the letters creates a continuous rhythm in their composition. This character will give rise to a lightweight poster that will be printed in linocut and then exhibited at the Printing Museum in Nantes.

Pub.bis is a critique of the hyper-sexualization of the female body in advertising. These pieces of naked bodies are aligned like consumer products on the supermarket shelves. Each of these body parts is associated with a brand: Axe, Danone, Schweppes... When you touch one of these images, silkscreened in conductive ink, the music of the ad launches onto a speaker connected by an Arduino system.